这部扣人心弦的纪录片剧集聚焦西甲,透过赛场上的光荣胜利与惨痛失败,记录下西班牙足球的幕后故事。
A Roman Catholic priest leads a band of ten young men from various backgrounds on a pilgrimage. They walk from the south of France along the less popular Northern Route of the "Camino" to Santiago de Compostela in Northern Spain, a shrine built around the remains of Santiago, the Apostle St. James. Along the way through mountain pathways, inclement weather and blistered feet, the men learn valuable life lessons about commitment, perseverance, assistance and spirituality. "In order to succeed you only need to get up one more time than you fall."
交响芭蕾舞作品《贝多芬第九交响曲》是瑞士洛桑贝嘉芭蕾舞团的一部杰作。《伴随贝多芬起舞》向我们展示了这部芭蕾舞剧的历史、这一次多元文化呈现所面临的挑战、舞者们辛勤而高效的排练,以及洛桑贝嘉芭蕾舞团、 东京芭蕾舞团和著名指挥家祖宾·梅塔领导的以色列爱乐乐团之间复杂而兴奋的合作。在众人的努力和倾力合作下,这将会是21世纪最成功的芭蕾舞盛事之一。
这是一部真实的犯罪纪录片,讲述了罗莎·佩拉尔在前情人的帮助下谋杀了她的伴侣,这是她在监狱里第一次接受采访。
该纪录片将分为三个部分,探索“银河战舰”皇家马德里队辉煌且震撼的2021-22赛季,记录他们通往第14个冠军的道路,而贝克汉姆本人在2003-2007年间曾在皇马效力。
距离电影《弗拉门戈》的拍摄已经有14年了。这部影片的叙事,围绕着优美的弗拉门戈歌曲、舞蹈和音乐进行,堪称西班牙音乐电影史上的里程碑。 毫无疑问,《弗拉门戈,弗拉门戈》和上一部影片一样有着极深的艺术造诣,但在技术方面却更胜一筹,并采用了不同的叙事方式。卡洛斯·绍拉把他在近期创作中所总结出的经验和新元素,运用到了这部影片的拍摄上。 《弗拉门戈,弗拉门戈》可以被看做是卡洛斯·绍拉风格式的音乐电影作品的最好诠释。他以这种方式,通过无与伦比的音乐、舞蹈和歌曲,使全世界的观众得以欣赏到西班牙的电影和艺术。 “现在的弗拉门戈是一种全新的弗拉门戈,年轻的天才艺术家们正在西班牙本土及境外探索着这种新弗拉门戈舞的发展道路。”他用这样的语言描述着弗拉门戈艺术的延续。
SS-Obersturmbannführer Otto Skorzeny became a legend in his own time. "Hitler's favorite commando" acquired a reputation as a man of daring, renowned for his audacious 1943 mission to extricate Mussolini from a mountain-top prison. Yet, he was also an egoist who stole other men's credit, an unrepentant Nazi, and a self-aggrandizing hogger of the limelight. This insightful documentary draws on in-depth research to uncover the truth about Skorzeny's career and complex personality. From his background as a student radical in Vienna to his bloody service with the Waffen-SS on the Eastern Front, his surprise rebirth as a commando, and his intriguing post-war career and mysterious fortune, this film tells Otto Skorzeny's story in full for the first time.
BARÇA DREAMS is the most complete documentary ever to be made about the story of FC Barcelona, one of the top soccer clubs in the world, highly praised for its legendary figures like Leo Messi, the best footballer of all time, the prestigious coach Pep Guardiola, or the man who revolutionized this sport (soccer and football are used interchangeably throughout the entire text) with his innovative vision: Johan Cruyff. The film narrates the soccer club's long road to fame and acknowledgement, culminating in the generation of players of the stature of Leo Messi, Xavi Hernández and Andrés Iniesta, all of them trained in the famous school of La Masía. It also reveals the secrets of a powerful soccer club that causes admiration worldwide and is closely linked to the Catalan identity, making the motto "Barça: more than a club" a reality. It is a genuine emotional voyage to the heart and soul of the club which Joan Gamper, an undisputable sportsman, founded over a hundred years ago. It rekindles the dreams and ambitions of a long list of footballers who sought glory in one of the most admired soccer clubs in recent times.
《阿拉亚》是委内瑞拉传奇女导演玛戈·贝纳塞拉芙唯一一部纪录长片,它在拉美影史上占有相当重要的位置,是委内瑞拉民主后第一部获得国际声誉的电影,当年在嘎纳它与阿伦·雷奈的《广岛之恋》共同分享了国际评论家奖,也都获金棕榈提名却最终未果,尽管名气不如《广岛之恋》和《黑人奥菲尔》那么大,但在专业人士眼中此片一直都是研究拉美女性电影所必修的经典,影片出色的摄影时常被人们所赞美,是与卡拉托佐夫的《我是古巴》齐名的诗意电影杰作,法国著名导演让·雷诺阿在看过影片后称赞《阿拉亚》是他所见过最完美的纪录片之一。贝纳塞拉芙就像是委内瑞拉影坛的特吕弗和亨利·朗格鲁瓦,她不仅是第一位毕业于巴黎电影学院(IDHEC)的拉美导演,而且在1966年创办了委内瑞拉电影资料馆,虽然由于资金短缺问题,她个人的导演生涯并不顺利,作品也很少,但却为新委内瑞拉电影的发展成立基金会,并曾获得世界各国的无数荣誉和勋章。 转自AUESS的博客资料(http://blog.sina.com.cn/s/blog_497f6a250100cxm0.html) Shown at Cannes in 1959, the year after Venezuela's last dictator Marcos Perez-Jimenez was overthrown, the documentary inadvertently highlights the kind of exploitation of the poor that can lead to rebellion. While the dictator escaped to Miami with $13 million, salt workers were piling up mounds of salt on the flat sands, making barely enough money to keep them in arepas and black beans. Between the hot, tropical climate and the sores on their feet, the job these workers do every day is excruciating. Yet the lives of the fishermen and salt workers in this documentary are shown in the context of planned, upscale development, something of a disservice to the larger picture. With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnes Varda's debut film La Pointe-courte (1954) in its artful but somewhat ambivilant attitude towards filming a local community and their work clearly admired by the filmmakers, Benacerraf's film focuses on the inhabitants of Araya, a desolate area in Venezuela subsiding through a long history on the wealth of its great salt marshes. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as "a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism".
(CCTV9 引进的《野生链》,曾在高清翡翠台播出粤语译制版,名为《本是同根生》) Six-episode miniseries aiming at discovering why two very different regions of the planet, very far away from each other, are so rich in biodiversity; two unique places on Earth that serve as natural bridges between continents.Central America is a strip of land connecting two large land masses, a small region with an extraordinary natural richness. The Iberian Peninsula is the most bio-diverse region of Europe, acting as an umbilical cord between Africa and Europe.Both places are defined as “biological bridges”. In six episodes, we will discover the keys to their huge wealth and the reasons why they are so exceptional.
Rosales and Bing wanted to correspond with their respective filmic imaginaries, but in this case without using the epistolary recourse. Their idea was to create short stories that reflect two worlds that are geographically and culturally remote.
本片记录了斗牛士安德里斯·罗卡·雷在一天的斗牛比赛中的生活,从他穿好衣服到脱下衣服的那一刻。
由西班牙导演伊格尼斯(Álex de la Iglesia)所执导的《球神梅西》自传电影,完整描述阿根廷足球天王巨星梅西(Lionel Messi)童年时期到成名,是一部半纪录半剧情片,片中访问了包含梅西的朋友、队友、教练、足球界明星球员等,并在罗萨里奥、布宜诺斯艾利斯、巴塞隆纳等三地取景。 「我们知道他在场上宛如天才,我们也想知道他在场下是什么样的人。」 梅西的童年采用剧情片模式「重现」,剧本由前阿根廷国家队球员瓦达纳(Jorge Valdano)撰写,为求真实性,海选找来长相神似梅西的9岁伊拿斯奥( Juan Ignacio Martinez)担纲,演出梅西在童年患下荷尔蒙缺乏症,身高无法长高,还一度威胁到性命的过程。全片带着观众抽丝剥茧,探寻引领阿根廷队在2014年争夺世界杯足球冠军的他,是天生球星还是后天成材?这一路又是如何在最终缔造出球坛传奇。
摘录自女人的日记和战后几十年男人拍摄的精美影像,编织出迷人的故事。
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