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　　Here Herzog sets out to document a small group of British physicians who provide medical supplies and aid to the vast undeveloped interior of tribal eastern Africa.                                                                            　　Werner's fascination with these "flying doctors" seems genuine though comes across as exploitive and poorly realized. He focuses primarily on the indigenous tribes' primitive conditions and quirky cultural differenc...

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Rainer Werner Fassbinder visits for two weeks the "Theater der Welt" festival 1981 in Cologne. 30 co...

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Fini Straubinger, 是既聋又瞎的老妇,从她十几岁起就这样。通过对她的纪录，关照整个聋瞎人群。 这部影片显示聋瞎人的奋斗，让你了解和接受他们几乎完全与世隔绝的世界。                                                                      获奖：1971年曼翰姆-海德堡国际电影节最佳电影

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　　赫尔佐格这次将目光对准印度王室，一个富丽堂皇的家族，一些不为人知的风俗习惯，很多奇奇怪怪的装束和表演，在外人看来不免哑然失笑、不可思议，但赫尔佐格最伟大的地方就在于他永远客观冷静、充满人道主义的眼光，他用他不偏不颇的镜头语言，向世人传达着，在这个多元化的世界上，永远存在着坚定的立场、自得其乐的感怀、忠诚的信仰，你可以不认同，但你不能否认他们的存在，你必须尊敬他们，因为世间万物，和你呼吸的每口空气一样生动新鲜，他们和你 一样在某一角落倔强生长并茂盛灿烂。

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在富有魅力并善于操纵人心的领袖带领下，一群德国基督徒在智利发展壮大，成为了独裁统治的工具。

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这部关于1936年柏林奥运会的纪录片是第一部纪录夏季奥运会的电影。有如英雄史诗般气势恢弘，堪称影片史上的经典之作。至今仍有争议的德国女导演莱妮·瑞芬斯塔尔在拍摄本片时得到希特勒的全力支持，动用了大量的人力与物力，可以说空前绝后。影片通过镜头向观众展示了运动之美，竞争的刺激以及理想主义的巅峰。同时试图以歌颂年轻男性躯体之美以及运动的威力来宣扬纳粹精神，被认为是一部纳粹唯美主义的登峰造极之作，从此永远打上了历史的烙印。本片分上下两部，由《国家的节日》和《美的节日》构成。

简介：一直以来，德国啤酒享誉世界，在世界啤酒大会上屡次斩获殊荣，而啤酒之于德国人也是主食一样的存在。但德国啤酒到底有何特点？传统的啤酒有多少种类？德国的啤酒市场又是怎样的？著名的啤酒纯净法案是什么？喝啤酒又是否会让人发胖呢？星级厨师尼尔森·穆勒组织了一场大型啤酒测试，通过多样性、口味、质量、价格和健康程度为您揭开德国啤酒的秘密……（小易甫字幕组）

简介：森林里各类生物的奇异关系和各种微小的奇迹使得生命不断循环往复。这种生命的循环把大大小小的森林居民联系在一起。在森林深处，我们看到了一些神奇美好的景象，让我们仿佛置身天堂。但这也是为生命而战的战场，在这里永远是强者胜。本片带领我们走进欧洲最著名、最美丽、栖息环境最为多样的森林区，讲述了一些著名物种的故事，展示了许多不为人知的物种的生活画面。在影片结尾，一切都像拼图一样完全契合，一个关于自然保护区全新而又意义非凡的话题正在揭开。

简介：在一项新的研究中，科学家们揭示了南极洲的一种生命形式，它打破了以前建立的科学的所有规则。这项研究提供了第一个有记录的证据，证明远在漂浮的南极冰架之下的海底有不可移动的海洋生物。这些静止的动物可能包括海绵，但就目前而言，它们被广泛归类为“固着生物”。

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简介：　　走进不曾被探索的隐秘世界，领略死亡洞穴的独特魅力。

简介：　　影片通过当今五个展览介绍了当年被希特勒等纳粹从各处掠夺去的包括毕加索、马蒂斯、夏加尔、波提切利、莫奈、雷诺阿、高更等大画家的一系列名作。影片采访了世界各地著名史学家、收藏家等专业人士，穿插入历史纪录片，真实再现了一段鲜为人知的历史。

简介：　　Death and the devil. Nudity, eroticism and horror. With its daring subjects and blazing colors, the art of the Gothic period captivated viewers some 500 years ago, and still affects us deeply, today. Focuses on some of the most spectacular panels and paintings of the Gothic period. The mid-15th century saw the creation of works like "Purgatory," "Hell," and "Paradise." Gothic specialists introduce us to these works, while explaining just how innovative Gothic painting really was. They walk us through the beauty of the colors, show us just how daring the erotic scenes can be, and highlight the raw power of the devils and monsters. Art historian and director Grit Lederer explains how special macro-optic technology sheds new light on the artworks' tiniest details, while the storied Cologne Cathedral opens at midnight to let art historians examine the "Liebeszauber" painting, still shrouded in mystery to this day.

简介：　　是什么造就了一杯好的啤酒？谁在其中主持大局？作为一个独立的小啤酒厂如何生存？通过采访来自世界各地的人，弗里德里希-莫泽的新纪录片《啤酒！一部爱情故事》对国际啤酒业和地球上第二大消费饮料进行了深入的研究。

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　　勇敢无畏的乌利·史戴克和丹尼·阿诺专攻高山，这次两人挑战瑞士阿尔卑斯山大北壁，比拼谁能创下最速纪录。

简介：Äsende Elche im inneren Ural, geschmeidige Amur-Tiger am Pazifikstrand, kämpfende Riesenseeadler in Kamtschatka, Eisbären auf der Jagd in der Arktis oder munter tauchende Robben im Baikalsee. Die atemberaubende

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SS-Obersturmbannführer Otto Skorzeny became a legend in his own time. "Hitler's favorite commando" acquired a reputation as a man of daring, renowned for his audacious 1943 mission to extricate Mussolini from a mountain-top prison. Yet, he was also an egoist who stole other men's credit, an unrepentant Nazi, and a self-aggrandizing hogger of the limelight. This insightful documentary draws on in-depth research to uncover the truth about Skorzeny's career and complex personality. From his background as a student radical in Vienna to his bloody service with the Waffen-SS on the Eastern Front, his surprise rebirth as a commando, and his intriguing post-war career and mysterious fortune, this film tells Otto Skorzeny's story in full for the first time.

简介：　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

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一年一度的维也纳新年音乐会将于2020年1月1日在维也纳金色大厅举行，来自拉脱维亚的指挥家安德里斯·尼尔森斯将首次执棒。再过几天，全世界的乐迷就能欣赏到在尼尔森斯的指挥棒下，施特劳斯家族的经典音乐会展现出怎样的旖旎风光。                                    
                               亮点一                                    
                               首位70后指挥家执棒维也纳新年音乐会                                    
                               随着老一代指挥家祖宾·梅塔、里卡尔多·穆蒂等逐渐淡出舞台，古典乐坛中生代甚至更年轻的指挥家受到了更多的关注。2017年，维也纳新年音乐会邀请80后指挥家古斯塔夫·杜达梅尔执棒。这位青年指挥家的出现，为维也纳新年音乐会带来了新的气质，尤其受到世界各地年轻观众的认可。                                    
                               2020年，70后指挥代表安德里斯·尼尔森斯将闪亮登场，这位指挥家1978年出生，曾经跟随著名指挥家马里斯·杨松斯学习指挥，目前是波士顿交响乐团、莱比锡布商大厦管弦乐团的音乐总监。随着年轻化的方向，维也纳新年音乐会将会带给电视观众怎样的视听新感受？安德里斯·尼尔森斯的表现怎么样？值得期待。                                    
                               亮点二                                    
                               贝多芬的作品首次亮相维也纳新年音乐会                                    
                               2020年，我们将会迎来伟大作曲家贝多芬诞辰250周年，为了以示庆祝，贝多芬的作品《十二首乡村舞曲》将在维也纳新年音乐会上奏响。在演奏过程中，电视观众还会欣赏到优美的芭蕾舞蹈画面。                                    
                               芭蕾舞拍摄取景地                                    
                               维也纳作为著名的古典音乐之都，很多著名的音乐家都曾在这里生活。1787年，贝多芬第一次来到这座城市，从1792年起，他就选择在这里永久居住。可以说，维也纳对贝多芬并不陌生，贝多芬也非常热爱这座城市，在2020年这个具有意义的年份，维也纳人希望通过自己独特的方式来纪念这位老朋友。                                    
                               贝多芬居住地（芭蕾舞拍摄取景地）                                    
                               2020年，金色大厅所在地维也纳音乐协会大楼建成150周年、萨尔茨堡音乐节也将迎来100周年，在新年音乐会上，也会有曲目为之奏响。                                    
                               亮点三                                    
                               多首新曲目首次亮相                                    
                               就目前官方的曲目单可以看出，2020年维也纳新年音乐会的新曲目多达9首，非施特劳斯家族的作品共有5首，这样的编排显然增加了新年音乐会的开放性。在这个亿万观众瞩目的舞台上，更多音乐家的新作品亮相，这样的尝试是否能够得到观众的认可？是否可以为新年音乐会带来新的色彩？都值得期待。                                    
                               2020年新年已经触手可及，而作为新年最为经典的音乐礼物，维也纳新年音乐会也正在向我们走来。在传统中感受新年的兴奋和温情，在创新中体会时代的变迁与更迭，2020年，我们拭目以待。

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Das Neujahrskonzert der Wiener Philharmoniker 2016 war das 76. Neujahrskonzert der Wiener Philharmon...

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Das Neujahrskonzert der Wiener Philharmoniker 2017 war das 77. Neujahrskonzert der Wiener Philharmon...

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Das Neujahrskonzert der Wiener Philharmoniker 2018 war das 78. Neujahrskonzert der Wiener Philharmon...