利用很浅的景深以及局部特写把大型涂鸦、壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.
备受尊崇的纪录片大师弗雷德里克·怀斯曼的最新作品是老饕们的挚爱--一部长长的,讲述世界顶级的法国餐厅La Maison Troisgros的幕后故事,该餐厅已经拥有米其林星级超过五十年。
When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.
安乐死在瑞士是合法的,在欧洲很多人会选择去瑞士“有尊严的死去”。本片客观公正地描述了那些决定要终止自己生命的人的原因和方式。并引发我们的深思“作为一个人是否有权利选择自己体面的退场”?
非洲热带草原深处,Burkina Faso的东北边,在一个好几米高的掩护体下,白蚁们正在辛勤地劳动,一场突如其来的灾难刚刚弄乱了它们原本秩序井然的生活。 一场热带暴雨将要把白蚁巢穴的过道和房间冲毁…… 而不远处,一队可怕的食肉蚁正准备进攻,它们将利用白蚁归来的疲劳当口发起一场真正的突袭……一场毫无怜悯的恶战即将展开…… 关于影片 《围困城堡》是一部动物题材的科幻片,也是一部名副其实的惊恐片。影片用真实的动物拍摄,一边是白蚁,一边是食肉蚁,两者间的激烈的战争简直就是一部惊恐片。白蚁的巢穴被拍得就像是个生活着成千上万个体的科幻城堡。 《围困城堡》在视觉上是一部战争片,其中一些典型的古怪场景和行为,像是用电脑设计制作的一般,让人联想起某些科幻电影。 ” 主创阵容 菲利普·卡德隆请来了本诺阿.阿拉马为该片配音,后者是法国最著名的配音演员之一(摩根.福雷曼(M...
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