本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ,香港中文大学、 第二届中国民族博物馆 永久收藏奖 。 有意想观看的,可联系版权方微信:1714371600 《加一》颠覆大众对留守儿童的固定思维,以独特的视角呈现最真实的留守儿童生活。 加一是一名留守儿童,父母常年在外打工,每次短暂的相聚都会牵动加一幼小 的心灵:长途 跋涉和爷爷去看望在外打工的父母,离别时躺在爸爸腿上静静落泪;春节过后妈妈提前出去打工,没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续,忍受过难尝的别离滋味后,依然要忘掉烦恼,快乐地和同学玩耍,淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间,就这样在痛与乐中成长着。 留守儿童并不是“苦逼”的代名词,他们有他们的快乐,有他们的纯真,他们也确实要忍受不一样的孤独和无奈。大时代下的小人物,他们的生存状态是这个时代的特殊印迹。 The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions. JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly. “Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
看看世界上最亲密的葡萄酒产区之一纳帕谷,我们跟随镜头开始和掌握一门手艺的旅程。
Cherry Healey and Simon Lycett tell the story of how the flowers we buy travel across the world via Aalsmeer Flower Auction in Holland to reach us every day in pristine condition. We reach for flowers to express...
在这部纪录片中,导演以个人家庭的经历为切入点,深刻剖析了美国食品药品管理局和制药行业的诸多道德问题。
“独立制表师”是指独立于钟表制作公司,基于自己的理念创造钟表艺术作品的手表工匠。在这些钟表匠中,菊野正弘由于特殊的工作受到关注,他的工作凸显了日本传统文化。现在,菊野的目标是将一个终极计时器嵌入手表。这个终极计时器基于日本工匠大师在1851年制作的“和时计时钟”而设计,将日出和日落间的时间分为六等份。由于白天的长度随着季节变化,时间的长度也随着季节的变化而变化。复杂精致的自动时钟由1000多个部件组成。本片讲述了菊野将这套系统嵌入手表中这一不可思议的创作。
《国家记忆》是中国第一档国史节目,以“为国家留史,为民族留记,为人物立传”为宗旨,展现党史、国史、军史中的重大历史事件、各领域重大工程建设、揭秘重大决策背后的故事、讲述各阶层各时代代表性人物,记录讲述...
史蒂芬·霍金在一档全新的科学节目中展示了我们真正的潜力。《史蒂芬·霍金天才实验室》第一季中有三位志愿者,通过一系列有趣的心理和生理挑战,我们得以观察他们是否能够解决一些历史上的难题——那些连最伟大的天才们也也苦苦思索的问题,例如:我们是孤独的吗?我可以时间旅行吗?我们究竟在哪?我们是什么?宇宙是从哪里来的?我们为什么在这里?节目中每一集都聚焦其中一个问题。开始是设定了一个挑战,然后通过趣味性的演示来确定问题的规模,然后会有进一步的挑战给到志愿者们,促使他们进行前所未有的思考,就像通过科学史上那些解开谜团的天才们一样。从鲜为人知的思想家,如古希腊的阿里斯塔克斯,到更为著名的伟人,如伽利略、牛顿、爱因斯坦和霍金本人,天才们把这些发现串成了一个引人入胜且富含启发性的系列节目。在每一场节目结束时,志愿者们都会对科学有一个令人振奋的全新认识。霍金引导他们认识了一个令人惊奇的宇宙中,这些经历将使他们毕生难忘。挑战的项目、惊喜的设计和成功的喜悦让这些知识变得相对容易被普通观众所接受,在看过节目之后,人们可能意识到自己真正理解了问题的答案。
近年科学界、出版界,与纪录片频道打龙通,推出“没有人的地球”末世想像。来自奥地利的葛哈特大概认为电视太细、CG 太假,讨论太消费浅薄,于是以在地真实拍摄,体现心中的荒凉情状。起点是日本,先叫我们一起沉思福岛──仓促撤出后的办公室、公园、学校、商店,又定又长的镜头,风雨光暗下阅读和感受。大不同你在荷里活大片碰到的新巴洛克式人工破坏,反击其实是大自然。视觉慢慢抵达未来,文明的颓垣败瓦,不在问:人类哪里去了?而是问:我们究竟走到哪个地步啊?
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
德·凡·图卢肯博士调查兴奋剂的世界:从那些追求名声、荣耀、和有利可图的赞助商合同的职业运动员,到如今服用合成激素来增长肌肉和追求外貌的成千上万的普通英国人。这些都是些什么药物?它们对于人体会产生什么作用?
72 Cutest Animals will count down the list of the cutest animals in the world. Visually stunning, packed with scientific facts, this series will highlight all of the animals on the list through interviews with those that work, play and love these beautiful creatures.
多年来,他闭门不出,终日不语。交流的愿望与行动的能量消失殆尽,转机也日渐渺茫。 在长久的沉寂中,记忆不期而至。那些陌生的面容,借着旧时的影像再次来到眼前。他人庸常的形态交织成镜,映照出以往他所不愿正视的、隐蔽的自我。寻找困境源头的渴望终被唤醒。这一次,会有奇迹出现吗? 作者试图通过对外部的观察及自我反思,重新审视自己与世界的关系。
再次出发,目标四大无人区,选择川藏公路进西藏。但是在此之前我们决定重回汉旺,回到那个8年前改变我们人生轨迹的原点。
劳拉·珀特阿斯因导演《第四公民》被大众所知。这部影片将关注到另一个在互联网掀起巨浪的人——朱利安·阿桑奇。在一个小小的建筑中被围困了五年, 即使他面临法律上威胁,阻止他所领导的组织和运动, 朱利安•阿桑奇也没有被吓倒。通过拍摄这部影片,导演劳拉发现自己困在了阿桑奇的动机、矛盾和内心之间。 Filmed over six years, Risk (2016) is a character study that collides with a high stakes election year and its controversial aftermath. Cornered in a tiny building for half a decade, Julian Assange is undeterred even as the legal jeopardy he faces threatens to undermine the organization he leads and fracture the movement he inspired. Capturing this story, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle.
Documentary charting the lives of four puppy litters in intimate detail, from birth to their sixth m...
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